Editorial Reviews From Library Journal The representation of love in medieval decorations, paintings, and drawings offers an intriguing glimpse into the society and philosophy of that time. Interpreting these depictions as having a specific purpose?to inspire love or eroticism?Camille (art history, Univ. of Chicago) explores what, according to the period, love meant for the med...(展开全部)

迈克尔・卡米尔（Michael Camille,1958-2002），芝加哥大学艺术史教授，于剑桥大学获得博士学位，其后一直在芝加哥大学任教。他是中世纪艺术研究方面的权威，其主要著作有《中世纪的偶像：中世纪艺术中的意识形态和造像》、《边缘上的肖像：中世纪艺术的起源》、《逝去的大师：皮埃尔・雷米特的无生命的艺术》、《饰画人》、《中世纪艺术：幻想与中世纪的启示录》。 译者简介： 刘日明，男，1968年生，江西遂川人。1992年9月考入华东师范大学哲学系，1995年6月获哲学硕士学位；2000年9月考入复旦大学哲学系，2003年6月获哲学博士学位。现为同济大学哲学与社会学系副教授、当代马克思主义哲学研究所副所长、外国哲学专业硕士生导师。主要研究领域为西方政治学与法哲学、西方马克思主义。在《学术季刊》、《人文杂志》、《天津社会科学》、《学术研究》等杂志发表论...(展开全部)

迈克尔・卡米尔（Michael Camille,1958-2002），芝加哥大学艺术史教授，于剑桥大学获得博士学位，其后一直在芝加哥大学任教。他是中世纪艺术研究方面的权威，其主要著作有《中世纪的偶像：中世纪艺术中的意识形态和造像》、《边缘上的肖像：中世纪艺术的起源》、《逝去的大师：皮埃尔・雷米特的无生命的艺术》、《饰画人》、《中世纪艺术：幻想与中世纪的启示录》。 译者简介： 刘日明，男，1968年生，江西遂川人。1992年9月考入华东师范大学哲学系，1995年6月获哲学硕士学位；2000年9月考入复旦大学哲学系，2003年6月获哲学博士学位。现为同济大学哲学与社会学系副教授、当代马克思主义哲学研究所副所长、外国哲学专业硕士生导师。主要研究领域为西方政治学与法哲学、西方马克思主义。在《学术季刊》、《人文杂志》、《天津社会科学》、《学术研究》等杂志发表论...(展开全部)

Editorial Reviews From Library Journal The representation of love in medieval decorations, paintings, and drawings offers an intriguing glimpse into the society and philosophy of that time. Interpreting these depictions as having a specific purpose?to inspire love or eroticism?Camille (art history, Univ. of Chicago) explores what, according to the period, love meant for the med...(展开全部)

In the first century a.d., Ovid, author of the groundbreaking epic poem Metamorphoses , came under severe criticism for The Art of Love , which playfully instructed women in the art of seduction and men in the skills essential for mastering the art of romantic conquest. In this remarkable translation, James Michie breathes new life into the notorious Roman’s mock-didactic ele...(展开全部)

What do they all mean - the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protuding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, w...(展开全部)

What do they all mean - the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protuding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, w...(展开全部)

The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals. Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monas...(展开全部)

The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals. Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monas...(展开全部)

This groundbreaking study explores the deep connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. Nagel reconsiders from an innovative double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, installation, and t...(展开全部)